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Walt Disney Treasures - The Chronological Donald Duck volume 3 [2 DVD5 ENG Sub ENG][Tntvillage]

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Walt Disney Treasures - The Chronological Donald Duck - Volume 3 - [2 DVD5 ENG - Sub ENG] [Tntvillage]



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The Chronological Donald Duck







volume 3





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Tra i cinque più famosi persoanggi (o se si considera anche Paperina), Paperino è sicuramente il
più popolare. Topolino ovviamente, sarà sempre il più riconoscibile poiché è divenuto
un’icona della Disney. Tuttavia, Paperino continua ad essere il più amato dal pubblico. Mentre Topolino
crescendo stava diventando sempre di più il simbolo degli Studio, gli animatori cercavano di trovare le giuste
situazioni in cui farlo lavorare e gli atteggiamenti di ragazzotto cattivo dei primi tempi non erano più adatti a
lui. In quel periodo Paperino invece poteva permettersi qualsiasi tipo di intemperanze, non essendo diventato il simbolo
assoluto della Disney.



La cosa interessante del periodo in cui sono stati prodotti i cartoni di questi DVD, è la variazione del ruolo di
Paperino nei tre anni che vanno dal ’47 al’50. Paperino inizia essendo la star assoluta dei suoi cartoni
venendo supportato da diversi personaggi che gli fanno da spalla. Due di questi, Bootle-Beetle e Buzz-Buzz, l’ape,
appaiono solo qualche volta. Alcuni invece appaiono con maggiore frequenza e si tratta, ovviamente, di Cip e Ciop. La
sequenza è sempre la solita: Cip e Ciop cercano di rubare cibarie a Paperino il quale si arrabbia e da qui
vengono fuori le più strane divertenti sequenze di inseguimento. Cip e Ciop, grazie a questi cartoni si sono
guadagnati un posto nella Hall fo Fame.



Anche se i cartoni di Paperino seguono spesso una formula precostituita, in essi egli appare in forma smagliante.
Essenzialmente, ciò è dovuto a due fattori: il primo è la creatività degli animatori degli
storyboarder. Molti gag superveloci sono rappresentate esattamente nel modo in cui sono state concepite e per il tempo
strettamente necessario a farle risultare divertenti. Il team di lavoro sapeva bene ciò che stava facendo, anche
per quanto riguarda la musica e la sua integrazione con l’animazione. Spesso la musica ha un ruolo fondamentale ma
questo non viene riconosciuto dal pubblico. 



Paperino può essere considerato il più aggressivo tra i personaggi della Disney, ma questo lo rende
più credibile e amabile al pubblico. In qualche modo egli rappresenta il soggetto frustrato che ricalca molti di
noi. I cartoni del periodo ’47-’50 sono senza tempo, creativi e pieni di humor che superano le barriere del
linguaggio, anche quella del “quacking” tipico di Paperino…..







Of Disney's classic Fab Five characters (or the Spectacular Six if you include the often-ignored Daisy), Donald Duck is
arguably the most popular. Mickey, of course, will always be the most recognizable due to him being an iconic status
symbol, but Donald tends to be the character most people cite as their favorite. As Mickey grew into the Disney
figurehead, the studio's animators became much more aware of what sort of situations to put him in. The bad boy antics
of his early days no longer seemed to sit well with the character meant to represent the company,  

so the team used Donald as a means of letting loose. Without the pressure of iconization, Donald was able to
(frequently) lose his temper, get into fights, and play devilish pranks on other characters. Walt Disney Treasures: The
Chronological Donald, Volume 3 showcases his shorts from 1947-1950, made following World War II. 



What's interesting to note about the cartoons featured here is how Donald's role slowly morphs throughout this
three-year span. He starts off being the star of his shorts, propelling the action forward and dealing with various
everyday situations in his own way. Eventually, though, it seems like the story people were running out of ideas and
predicaments to place him in. They repeatedly tried to bring in supporting characters that would essentially upstage
Donald similarly to how he upstaged Mickey. Two of these characters -- the Bootle Beetle and Buzz-Buzz the bumblebee --
only appeared a handful of times. One pair of characters did manage to stick, though: these were fast-chattering
chipmunk duo Chip 'n Dale. Many of the shorts in this collection follow the same formula: Chip and Dale attempt to steal
a food item of Donald's, which the short-tempered Duck does not take lightly. While this admittedly grew a bit stale
after a while, it managed to secure Chip and Dale a place in Disney's hall of fame. 



Even with a frequent formula, Donald's shorts from this era stand out as some of his very best. This is due to two
factors, the first being the creativity of both the animators and the story department. Many rapid-fire visual gags come
across as inspired and are given just the right timing to make them amusing. It's obvious that the team responsible for
these shorts was confident in what it was doing. The other reason these shorts are so memorable is the sound design. 


Sound design often goes ignored by audiences, but it's utilized so well in the featured cartoons that one has to mention
it. The effects are used most notably and hilariously in Drip Drippy Donald, where virtually all of the humor stems from
the sound of a leaky faucet. As the short plays out, the faucet sound goes from a simple drip to the earth-shattering
crash of a missile. Such exaggerated foley work was generally avoided for Disney's prestigious animated features, and
one can tell that the artists completely took advantage of the opportunities given here. 



Donald Duck may be the most mean-spirited and aggresive of the classic Disney personalities, but this actually makes him
more relatable to the audience. He's someone who vents the sort of frustrations many people wish to but don't out of
civility. The shorts he starred in from 1947-50 exemplify why he still resonates with both old and new generations.
They're timeless, creative, and feature humor that transcends any sort of language barrier (including Donald's own
warbling). 









Formato Audio/Video (Audio/Video Format):



2 dvd5 NTSC

Audio: ENG

Sottottitoli (Subtitles): English for hear impaired





Contenuti:



Disco 1:



Cortometraggi



1947: Straight Shooters, Sleepy Time Donald, Donald's Dilemma, Crazy with the
Heat, Bootle Beetle, Wide Open Spaces, Chip 'An Dale; 

1948: Drip Drippy Donald, Daddy Duck, Donald's Dream Voice, The Trial of Donald
Duck, Inferior Decorator, Soup's On; 



From the Vault:

Clown of the Jungle (1947), Three for Breakfast (1948), Tea for Two Hundred (1948) 



Disco 2:





Cortometraggi





1944: Trombone Trouble, The Plastics Inventor, Donald's Off Day, Donald Duck and
the Gorilla, Contrary Condor;

1945: The Eyes Have It, Donald's Crime, Duck Pimples, No Sail, Cured Duck, The
Clock Watcher, Old Sequoia; 

1946: Donald's Double Trouble, Wet Paint, Dumb Bell of the Yukon, Lighthouse
Keeping, Frank Duck Brings 'Em Back Alive 



1949: Sea Salts, Winter Storage, Honey Harvester, All in a Nutshell, The Greener
Yard, Slide, Donald, Slide, Toy Tinkers; 

1950: Lion Around, Crazy Over Daisy, Trailer Horn, Hook, Lion, and Sinker, Out
on a Limb;



From the Vault:

Donald's Happy Birthday (1949), Bee at the Beach (1950) 





Bonus Material: Bonus Material: "The Many Faces of Donald Duck",
"Sculpting Donald", "Donald Duck on the Mickey Mouse Club", Galleries





Tempo Totale di Riproduzione: 263 Minutes (4 ore, 23 minuti)

Disco 1: 170 minuti (162 - cortometraggi, 4 - introduzioni, 4 - extra) 



Disco 2: 140 minuti (126 - cortometraggi, 4 - introduzioni, 10 - extra) 





1.33:1 Fullscreen (Original Ratio) / Dolby Digital 2.0 Mono

Originally Released between 1947 and 1950





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DISCO 1



La solita introduzione di Leonard Maltin (2:16) copre la carriera di Paperino e i cartoni presenti sul disco.



A somewhat out of place trailer for the Pixar Short Films Collection, Volume 1 starts off the disc. This is followed by
the expected introduction from Leonard Maltin (2:16) explaining Donald's career history and the type of shorts to be
found on this disc. 







I cortometraggi:



Straight Shooters (1947) (6:12) 



Sleepy Time Donald (1947) (6:31) 



Donald's Dilemma (1947) (7:15) 



Crazy with the Heat (1947) 



   



Bootle Beetle (1947) (7:01) 



Wide Open Spaces (1947) (6:37) 



Chip 'An Dale (1947) (6:38) 



Drip Dippy Donald (1948) (6:45) 



   



Daddy Duck (1948) (6:34) 



Donald's Dream Voice (1948) (6:28) 



The Trial of Donald Duck (1948) (6:48) 



Inferior Decorator (1948) (6:20) 



Soup's On (1948) (6:53) 





FROM THE VAULT Questa sezione  inizia con l’introduzione di Leonard Maltin
che avverte che alcuni di questi cartoni hanno alcuni elementi che non sono più accettati nel mondo odierno.





This section begins with unskippable 30-second introduction by Leonard Maltin which warns that the following shorts may
contain elements that are frowned upon in today's society. While this comes across as slightly pandering, Disney should
be commended for including these shorts uncut. 





Clown of the Jungle (1947) (6:16) 



Three for Breakfast (1948) (7:04) 



Tea for Two Hundred (1948) (6:44) 







BONUS 

Il primo disco contiene una featurette, "The Many Faces of Donald Duck"
(14:41). Qui, Leonard Maltin intervista diversi storiografi del cinema e membri del gruppo di lavoro della Disney
riguardo all’importanza di Paperino per l’azienda. Si discute molto riguardo all’incredibile carriera
di Paperino,, che appare in film vecchi come  “I Tre Caballeros”, e nuovi come “Fantasia 2000”,
nonché i  diversi cammeo degli episodi di Disneyland. Si tratta di una divertente e interessante carrellata della
filmografia di Paperino.



The first disc contains the featurette, "The Many Faces of Donald Duck"
(14:41). Here, Leonard Maltin interviews various film historians and Disney crew members about Donald's
significance in the company. Much is said of his extensive film career, appearing in such films as The Three Caballeros
and Fantasia 2000, as well as cameo appearances on various "Disneyland" episodes. It's a breezy and fun look
at Donald's filmography. 



Entrambi I dischi contengono una sezione intitolata "Donald on the 'Mickey Mouse
Club'." Dopo un’introduzione di 24 sceondi a cura di Leonard Maltin, si tratta di andare alla ricerca
di 10 introduzioni differenti del Mickey Mouse Club in cui appare Paperino. Sono easter eggs equamente distribuite tra i
due dischi.



Both discs feature a section titled "Donald on the 'Mickey Mouse
Club'." When selected, a 24-second clip from Maltin explains how each week, the introduction to the
"Mickey Mouse Club" would end with a unique piece between Donald and the gong. Ten of those intros (2:41 each)
are hidden as easter eggs throughout both discs and are quite easy to find. It's rather cumbersome, though, to search
and fast-forward each opener just to reach a few seconds of unique Donald animation. A reel playing all of these
animated closings back to back would've been preferred. 



Ogni disco contiene una Galleria riguardante gli short del proprio disco. Il Disco 1 contiene 162 immagini mentre il
Disco 2 ne contiene 179. Si tratta prevalentemente di sfondi dipinti e storyboards.



Finally, each disc contains its own gallery relevant to the shorts of that respective disc. Disc one holds 162 stills
while disc two holds 179. Both feature a nice mix of storyboards and painted backgrounds, though original posters are
conspicuously absent. 





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DISCO 2





Leonard Maltin introduce anche questo disco (1:54) che , come nel precedente, spiega la progressione
dell’evoluzione di Paperino nei cartoni contenuti nel disco.



Leonard Maltin appears for another introduction (1:54) which, like the first disc, explains the progression of Donald's
shorts and informs us of what shorts are featured on this disc. 







I cortometraggi:



Sea Salts (1949) (7:32) 



Winter Storage (1949) (6:53) 



Honey Harvester (1949) (7:13) 



All in a Nutshell (1949) (6:45) 



   



The Greener Yard (1949) (7:18) 



Slide, Donald, Slide (1949) (6:54) 



Toy Tinkers (1949) (7:36) 



   



Lion Around (1950) (6:56) 



Crazy Over Daisy (1950) (6:65) 



Trailer Horn (1950) (6:26) 



Hook, Lion, and Sinker (1950) (7:18) 



   



Out on a Limb (1950) (6:32) 







FROM THE VAULT Anche in questo caso la narrazione di Maltin (0:29) avverte che
alcuni contenuti al giorno d’oggi potrebbero essere considerati offensive.



This section features the same unskippable Maltin narration (0:29) found on the first disc that tells us how the
following shorts may have content offensive to some. 







Donald’s Happy Birthday (1949) (6:42) 





Bee at the Beach (1950) (6:33) 







BONUS 

Il secondo Disco contiene una featurette, intitolata "Sculpting Donald"
(9:08).  Matlin in questo caso intervista un affermato scultore della Disney, Ruben Procopio. Egli ci dimostra
come fare per partire da un disegno e giungere ad un modello scultoreo a tutto tondo. Egli inoltre ci racconta la sua
esperienza e di come il padre, anch’egli scultore in Disney abbia influenzato la sua carriera. E’
un’affascinante modo di vedere nascere un Paperino in 3D…….



The second disc has a featurette of its own entitled "Sculpting Donald"
(9:08).  

Maltin appears once again, this time interviewing acclaimed Disney sculptor Ruben Procopio. He demonstrates what it
takes to transfer a a flat character like Donald into the realm of 3-D. He also discusses his background and how his
father influenced his work, making this both a tight and fascinating look at the sculpting process. 





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